In this edition of our Meet the Band series, we spotlight the man behind the keys: The Maestro. Known for his sharp musicianship, dry wit, and a knack for the unexpected, he brings both precision and personality to PetRock.
Where It All Began
Music first found The Maestro at age three. Struck with the measles, he remembers lying in bed listening to the Tijuana Brass and Thoroughly Modern Millie spin endlessly on the turntable. “Herb Alpert was easier to analyze,” he recalls. By age four, he had his first instrument — an electric toy xylophone — and the journey had begun.
The PetRock Origin Story
The Maestro joined PetRock in January 2016, but not without some coaxing. “Duke called and begged me to audition,” he says. “I told him I would if he would stop crying.” It worked — and PetRock has been sharper for it ever since.
On Stage Favorites
When asked about a favorite PetRock song to perform, his answer is quick: “Probably the next one I plan on calling for the band to learn.” For The Maestro, the challenge of new material is where the real excitement lives.
And while he’s not shy about his tastes, he admits to a soft spot for ABBA’s Dancing Queen.
Tools of the Trade
On stage, The Maestro plays a Yamaha MOXF8, MOXF6, P-155, and Roland Axe — road-tested instruments that get the job done. “They complete the task required. Nothing special,” he says with a shrug. “I keep that stuff at home.”
Rituals and Memories
Unlike some bandmates who opt for calm or meditation before a show, The Maestro prefers a different approach: “I walk on stage angry. I love playing angry.” That intensity translates into his performance, giving PetRock’s sound its edge.
He’s got no shortage of standout memories, but two rise above the rest: arranging PetRock’s collaboration with the Omaha Symphony (a sold-out performance) and the outdoor Okoboji shows, both of which he calls unforgettable.
Looking Back, Looking Ahead
If given a chance to time-travel, The Maestro wouldn’t hesitate: he’d head back to see Yes on their Close to the Edge tour.
Final Word
When asked if he has anything else to share, The Maestro’s answer is blunt: “No.”
Sometimes, less really is more.
Duke
